TITANS, AVATAR: RECENT ENLIGHTENING FILMS

Erle Frayne D. Argonza

Magandang hapon! Good afternoon!

I just watched the recent showing of the new version of Clash of the Titans. The movie was as mind-boggling and enchanting as another film shown some couples of months back: Avatar. It is indubitably worth my watch.

Let me share some notes about both films, with the beginning words that they are among those few movies that are truly enlightening. By enlightening, I mean they transport us almost instantly to the realm of the transcendent, there to immerse a bit with our Higher Mind and the environs of the higher dimensions.

Needless to say, the film enables us to engage in deeper reflections about the meanings of the archetypal symbols shown before us. Our Higher Mind knows, for instance, that Zeus signifies the creative or ideational element in life, a meaning that our lower mind could only feebly comprehend.

The film industry is part of the culture industry, and as our noblesse thinkers of the day have shared to us—note Foucault, Habermas, Adorno, Marcuse, Said, for instance—the same industry has been instrumental as social control mechanism. Movies are not meant to enlighten, but rather intended to entertain and keep us glued within the world that is owned and controlled by few oligarchic families.

Hollywood films, being the prototype industry block, are particularly aimed at gaining profits for the film makers. They are so commercialized that they suffer content-wise. Horror movies are particularly fear-inducing and fragmentary of the psyche, intensify paranoia, and instantly add grey dense energies to our chakras or energy centers.

Enlightening films are indeed few, such as Avatar and Clash of the Titans or simply Titans. Not only do they entertain and educate, they also elevate. That effect makes them altogether contributory to the grand project of human evolutionary ascent.

For a social reformer, Avatar and Titans depict the epochal desire of marginal classes and sectors to demolish asymmetry in relationships and liberate the same groups from oppression.

The planetary natives in Avatar could be viewed as today’s indigenous peoples whose struggle against oppression by mainstream, urban, industrial populations was justly depicted in the film. The same natives could also mean 3rd World peoples who have been struggling against imperialism, colonialism, and fascistic domination by industrial powers.

The Titans could be viewed as oligarchic overlords, both landlords and capitalists, who have been subordinating middle and lower classes into their power enclaves. Mankind’s clash with the Titans symbolizes the epical drama of the age-old struggle of mankind against these overlords who are in power economically, culturally, and politically till these days.

To a mystic, the Titans film depicts the birthing of the universes—father universe first, son universes next, human universes last—and the breeding of humans by the creator beings (Titans). The Fall of Man, symbolized by the clash of men against gods, is likewise depicted.

Titans also subtly depicts the birthing of many worlds—collectively signified by ‘humans’—across the universe. Some worlds evolved faster (i.e. symbolized by Perseus, Io, and Andromeda evolved ahead) than others (e.g. Earthlings/Terrans, Maldekians) that lagged behind, while within a world some humans evolved faster than others.

Zeus (root word: Dyaus Pitar or sky fathers) signifies the creative element. Hades signifies the Anti-Universe that incidentally physicists are beginning to discover. Any community that immerses in the creative element (Zeus) will live prosperity and harmony, while a community that immerses in Anti-Universe (Hades) will be transmogrified to demonic monstrosity (Karkens that signifies Draconians or reptilian humanoids of Draco).

Perseus signifies the liberating warrior force of Plaeades civilization, while Pegasus signifies the hyper-space technology then evolving. Io signifies the priests of the interplanetary Order of Melchizedek, whose counsels are as precious as God’s words. Warriors and Priests work in synergy, as signified by the mutual esteem and love between Perseus and Io.

Princess Andromeda signifies the Andromeda galaxy civilization, which could have been invaded by Draco in antiquity—symbolized by Andromeda being sacrificed before the Karkens. Plaeadians were actually bred by the Andromedans, so Perseus’ saving of Andromeda is a sublime expression of filial love and debt of gratitude of the Plaeadians to their parent race (Andromedans).

Medusa signifies a high knowledge related to life science that could neutralize or thwart a superior yet gross force of humanoid Reptilians. The death of Hades in Perseus’ hands signifies the neutralization of the Anti-Universe at a particular juncture in antiquity, thus saving many human worlds (planets) from infection and transmogrification into demonic monstrosities.

The death of Hades is also prophetic in that it signifies a future state where the influence of the Anti-Universe on Earth and the Milky Way sector where we belong, will finally be ended. This happens as the universe ascends by a dimension higher comes 2012 A.D.

From a social reformer’s view, Hades’ death signifies the end of oligarchism and oppression of men by fellow men. This view converges with the mystical view, in that planetary ascension will in fact put an end to ancient systems based on polarity principle and Anti-Universe influence, thus ending oligarchism and the money economy.

So, Fellows on Earth, you can choose to perceive the enlightening films through the prism of whatever perspective or paradigm you’d want to view them. I’m gladdened at least that you watched these films, found time for reflections and enchantment.

[Philippines, 10 April 2010. See also: http://erlefraynebrightworld.wordpress.com, http://unladtau.wordpress.com, http://erleargonza.blogspot.com.]

Views: 5

Tags: Argonza, Aryan, Erle, Greek, and, art, culture, enlightenment, epic, liberation, More…meta-narrative, mythology, myths, postmodernism, prophecy

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